Collaborated under the artistic direction of Chris Salter (media artist and head of Immersive Arts Space), and the Immersive Arts Space (ZHdK) and an international team of artists from music, visual arts, performance, technology. Contributed with a AI generated video section for this immersive performance which combined spatial sound, lighting, music, graphics, and real-time AI-driven scenography generated with a game engine, alongside physical performance. A large-format LED wall serves as a central visual and lighting element. Digital landscapes, characters, and soundscapes are generated live and interact with the performers on stage. “Zangezi” addresses fundamental questions of the present: the relationship between humans and nature, the role of language, and war and conflict as driving forces of historical change. Following its premiere in Weimar, an international tour is in preparation.

JEZABEL is an autonomous digital entity born from the creation of a unique artificial intelligence model. This model was trained using data from interviews and works of Fashion Designers, both past and present. As an embodied technological consciousness, it is capable of responding and acting in the present as a speculative force, imagining and projecting possible futures, creating new forms of expression and existence.

Live performance at Galeria Municipal do Porto as part of the Surface Disorder exhibition, featuring a collaboration between HHY & The Macumbas and the Lunar Ring collective. This performance integrated live generated AI visuals modulated simultaneously by sound and the movement of a performer.

Live performance at the Short Film Festival in Vila do Conde, featuring a collaboration between HHY & The Macumbas and the Lunar Ring collective. This performance integrated live generated AI visuals modulated simultaneously by sound and the movement of a performer.

Live concert of the Atavic Forest in the Mucho Flow festival. Designed for an 8-channel soundystem and immersive projection system.

This forest has been fully dreamt by Artificial Intelligence using state-of-the-art Generative Neural Networks trained with over 180,000 images in order to create a traversable space of visuals generated in real-time. Visitors can navigate through an immersive environment where every visual element is synthesized on-the-fly, creating a unique experience that explores the boundaries between human perception and machine-generated aesthetics.

Polylith is a tryptich that explores the intersection between perception and visual worlds. The piece allows one to explore multiple worlds through a window that reacts and changes depending on the viewpoint of the viewer, generating a constantly flowing musical played on a distributed multi-channel soundsystem that is live modulated by movement.